Ari Marcospoulos ‘No Cause’ Exhibition Depicts NY Skateboard Scene From Early 90′s

10 Sep
2010

OHWOW (Miami) presents a solo exhibition of works chronicling New York’s fledgling skateboard scene from the early 90s by legendary photographer Ari Marcopoulos.

Ari Marcopoulos has cemented himself as one of the most influential cultural anthropologists of the last three decades. His body of work focused on marginal pockets of American life and chronicled the early roots of these subcultures as they slowly crept into the mainstream conscience. He has an uncanny ability to be at the right place at the right time, capturing fledgling cultural movements as they are taking form. In the process, Marcopoulos produced some of the most arresting images of youth and defiance this generation ever witnessed.

In his Miami debut, titled No Cause, Marcopoulos presents a series of images chronicling New York’s fledgling skateboard scene from the early 90s. These photographs document the charismatic individuals composing this specific group of skaters and the urban locations they frequented. The work poignantly captures the mood of the time, and its pioneers, just as this now legendary skate movement began to take form.

In 1979, Ari Marcopoulos relocated from his native city of Amsterdam to New York. Fueled with enthusiasm and optimism, he quickly immersed himself in the downtown art scene, which eventually landed him assistantships with Andy Warhol and Irving Penn.

During his early New York years, he shot intimate portraits of many vanguard personalities, including Jean-Michel Basquiat, Dennis Hopper, and Keith Haring. Later, his interest in the City’s surfacing hip-hop genre prompted him to document its music, fashion, and assertive attitude.

Through his involvement in capturing the aura of hip-hop culture, photographing icons like KRS1 and LL Cool J, he cultivated a friendship with the Beastie Boys, who he subsequently worked with on numerous projects, including Pass the Mic – a book of his previously unpublished black and white images of the band.

Marcopoulos’ penchant for connecting with emerging subcultures drew him to the developing skateboard movement active in New York City during 1993. Black and white photographs and Polaroids from this influential period, as well as a series of large scale photocopied images, capture the youth and defiance indicative of the era. Candid photography, some close-up portraits and others full-frame city scenes, objectively translate the reality of this peripheral lifestyle, while they also manage to soften the otherwise deviant personas associated with the skate world.

For three decades Marcopoulos acted as much as a cultural anthropologist as he has an artist. With this exhibition, he offers a window through which a view of back alley behavior and teenage angst is possible to glimpse from the lens of an outsider with unrestricted access.

Ari Marcopoulos exhibited his work in the 2002 and 2010 Biennials at the Whitney Museum of American Art and previous exhibitions include shows at The Berkeley Art Museum, White Columns, New York, NY; New Orleans Museum of Art, and PS1/MOMA. His work also appeared in publications such as The New York Times, Interview, Paper, and Blind Spot. His public collections include the Detroit Institute of the Arts, Whitney Museum of American Art, and the San Francisco Museum of Modern Art.

The opening of No Cause will coincide with the release of Stoopz, published by OHWOW. The 180 page book includes work from the exhibition, as well as additional images.

Opening reception Saturday, September 11, 2010 8pm. The exhibit runs from September 11 through October 9, 2010.

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